Roger Waters: “You want to start a war with the Russians? Are you crazy?” | The Vineyard of the Saker

29-08-18 07:11:00,

Translated by Scott Humor

Roger Waters – about his upcoming concerts in Russia, his humanitarian activities and conflict with the “White helmets.”

source: An exclusive interview for the Izvestia newspaper.

At the end of August, Roger Waters, one of the founders of Pink Floyd, will visit Russia as part of his Us+Them World Tour, and the audience in Moscow and St. Petersburg will be able to see his new show. In the capital, the concert will be held at the Olympic stadium on August 31st. On the eve of the concerts, the legendary rock musician talked to the portal iz.ru about things that are common for Russians and Americans, why he opposes demonization of Russia, and reveals some plans on jogging in Moscow.

Q: First, I want to ask you about the upcoming concert. Your show, including its special effects, got a very positive feedback. Some even suggest that you should get an Oscar for it. How did you prepare for this project and how much time it took for you to get it all together?

A: It all started a couple of years ago when a music company Goldenvoice from California asked me to perform in Palm Springs at the Desert Trip music festival. Paul Tollet, the head of the company, had an idea to organize a festival like Coachella, which is held in spring and where I performed back in 2008. But this time he wanted the event to take place in autumn with a small number of performers.

As a result, he planned the performance of six bands, three of which were headliners. I think his idea was to collect The Beatles, the Rolling Stones and Pink Floyd, and on the sidelines to put Bob Dylan, Neil Young and the band The Who. It was just a crazy idea! Paul (McCartney) contacted me and asked me to represent Pink Floyd, and I agreed. McCartney said, “you’ll be the Beatles, that’s all right.”

At the end we had a performance. I think it was a great opportunity to do something extraordinary. The Desert Trip was the starting point of what we are doing now. It was then I first proposed an idea of having a scenery in the form of the recreated Battersea Power Station at concerts — it became a kind of symbol of the military-industrial complex,

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