Americans are immersed in a culture that is steeped with war dramas. If there is not a real war to depict, it is common to create a drama from a “what if?” style of fantasy. In that regard, American cinema is well-supplied with movies about Russia, the Soviet Union, the Cold War and possible alternate histories.
Do these titles look familiar?
- The Hunt for Red October
- Bridge of Spies
- Thirteen Days
- Rocky IV
- Crimson Tide
- The Day After
- Red Dawn (1984)
- Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
A similar sense exists in the American literary scene, with books like Red Storm Rising, 1984, Animal Farm, Brave New World, Cardinal of the Kremlin, Invader, Alas Babylon, On the Beach, Lord of the Flies, and many, many others. All of these books, some of them not American, but still Western, infuse the Western culture with one main basic idea:
Communism is an enemy ideology. Russia is / was the world’s largest and most powerful Communist nation. Therefore, Russia is an enemy of the West, and regardless of any different developments in history, Russia is not to be trusted.
Taken in this context, Russiagate and its associated controversies and sanctions are not anything new for the United States, because Russia has “never been trustworthy” and so this is “how we deal with these untrustworthy people.”
The news rhetoric has been almost 100% unanimous on this point, and American political figures appear to be either lost in the belief that this is true, or afraid to give any rebuttal or correction to it. All except Senator Rand Paul and President Donald Trump at this point.
But what about in Russia? Do the Russian people feel the same way about the Americans? Was there such a framework for literature and cinema in the Russian culture both in the Soviet times and since? This is a point whose answer is somewhat elusive to many Westerners,