The Unz Review:ㅤThe Plot Against Australia, by Jason Cannon


04-08-22 04:00:00,

I suppose, after me, all the shits came in? — Phillip Roth

Australia was one of the last holdouts in the West in policing and restricting the publication, importation, and distribution of pornography and other forms of obscenity. Where censorship regimes in the USA and UK had already collapsed by the mid-1960s, as late as the year 1971 vice squads in police forces around Australia still ran raids of bookstores believed to be selling obscene literature. Political leaders of the era such as the formidable Vice-Premier of the state of Victoria, Sir Arthur Rylah, and his counterpart in the state of New South Wales, Sir Eric Willis, still possessed the vocabulary and conviction to resist the mass sexualisation of society and provide a defence to the Christian morals of the Australian people. The prohibition of obscene publications is now a politically dead issue, but opposition to it, the anti-censorship cause as it was known, once occupied an incredibly important front in the wider cultural and sexual revolution of the 1960s and 70s that set countries like Australia onto a path of cultural and demographic ruination. Every country in the West has an infamous piece of literature or film that either put a foot in the door for the entrance of pornography or otherwise resulted in the breakdown of obscenity laws and controls in their respective countries, often as a result of a much-publicised legal trial. In the United Kingdom, this was works such as Lady Chatterley’s Lover (first unexpurgated version in the UK in1960) and Last Exit to Brooklyn (1964).

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